Musiac is a musical recommendation engine, utilize proactive participation to find precise options for its users. It aims to propose alternative interfaces to challenge the algorithm autocracy. Information filtering has become an inevitable searching approach. However, it creates echo chamber effects and constrains users in their comfort zone by strickly follow their preferences. Users become passive and stop questioning the options the machine provides. Spending time to review options may increase huge bio-cost, but it is the effort that creates a meaningful experience.
An installation design of Japanese Dance. Japanese have been piling up colors from olden times to express sacred things. Also, piling up the paper with square silhouettes has been used as a thing representing sacred depth. Nakamura Kazunobu designed a space that changes the atmosphere by changing to various colors with such square "piling up" as a motif. Panels flying in the air centering on the dancers cover the sky above the stage space and depict the appearance of light passing through the space that can not be seen without the panels. A space that draws light strikingly, develops Japanese Dance.
Macy's website allows customers to shop Macy's offerings online, and includes a host of shopping and style-oriented features. In 2019, Macy's website was redesigned with a clean, simple, and fashion-inspired design. As a result, user engagement increased dramatically following the launch of the new design.
The idea of the medal animation was the 20th anniversary of the Poznań Marathon. The small elements and particles that make up the medal symbolize each year of the marathon and each runner. The medal's lanyard is printed with historical photos from all Poznan marathon editions arranged in chronological order and has a quote "I left footprint in Poznan". The reverse of the medal is dedicated to Maciej Frankiewicz, the president of the City of Poznan, who is the creator and patron of the Poznan Marathon.
The project was a journey to explore the Escape issues (theme for 2019) abstractly and fluidly, showing the changes, new things and consequences from that. All the visuals are clean and comfortable to watch, contrasting with the uncomfortable reality from the act of escape. The design is constantly changing and the morphing shapes in the animation represent the act of readaptation, caused by some sort of situation. Escape has different meanings, interpretations and the point of view varies from playful to serious.
I was in charge of the re-design of the main title sequence for Mac Gyver Season 4. In order to bring this sequence to the next level. We had to re-think the sequence from scratch. We decided to create a sequence in one long shot generated in 3D. The idea is to bring the viewer into Mac Gyver's unique creative process. It's a journey into Mac Gyver's mind.
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